Thursday, May 31, 2012
REDEFINE CASUAL
Claire McCardell was determined and ambitious and achieved great success in the 40's and 50's with her comfort-first philosophy. Her ideas were simple and revolutionary at the same time. Just as you will feel in one of her designs, sexy and comfortable.
-Eri
Claire McCardell sleeveless plaid dress in cotton with side pockets, c. 1950's. Modern size 4. SOLD TO A VERY BEAUTIFUL WOMAN
For additional information, please email blog@decadesinc.com or call + 1 323 655-1960. You may also visit us in person at Decades 8214 Melrose Avenue in Los Angeles, California. Please reference the description above, if calling or emailing.
Tuesday, February 07, 2012
DECADES DAILY FASHION FACT: FEBRUARY 7
It goes without saying that design is influenced not just by those who create it and those who wear it but by those who manufacture the fantasy of fashion. We're talking of course, about the visionaries who through shooting, styling and scribing, create mood, tone, and aesthetic morés; oftentimes new and evocative worlds of image and dress.Deborah Turbeville is one of those seminal taste-makers. So, when we read today on style.com that Turbeville is releasing a tome of her inimitable images on Rizzoli, Deborah Turbeville: The Fashion Pictures, we were filled with glee.
Turbeville has had an impact on fashion since her first foray into the industry when she was a fit model for seminal American designer, Claire McCardell. McCardell wound up letting Turbeville go as a human hanger because she wanted Turbeville to serve as her assistant. Turbeville's turn behind-the-scenes at McCardell's lead to a styling position at Harper's Bazaar in the early 60s, where she edited, styled and ran around with photographer Bob Richardson. The two's jaunts are still legendary - of course, they were arrested in Texas.
Sadly, the Texas incident lead to Turbeville's dismissal from Bazaar. After leaving the magazine, Turbeville worked with iconic photographers such as Diane Arbus and Richard Avedon before someone suggested that she pick up a camera and start shooting herself.
Which she did. While styling at Mademoiselle, with encouragement from Avedon, Turbeville was able to shoot her sittings for the magazine. Using a Pentax with soft-focus lens, Turbeville developed the jolie-laide style for which she is now renowned. Her images, often haunting, showcase what fashion usually shies away from: the blemishes of the image, an off crop, grainy slightly out-of-focus exposures, color bleeds, scratches, rough-hewn edging, perfect imperfection.
Now on the other side of the camera, Turbeville was able to work with the great stylists of the industry, famously collaborating often with Polly Mellen. Lucky for us, Turbeville continues to work today. Below is a recent campaign for Valentino.
Are you going gaga over Turbeville's work? The Valentino pictures make us want to do nothing but drape ourselves in delicate dresses from the Italian designer's house and wander aimlessly through the moor. Are you having a similar impulse? Well . . .
Shop vintage Valentino here and . . .
. . . modern Valentino here. Now, all we need is that moor. Topanga may have to suffice.*Deborah Turbeville's images courtesy of style.com; be sure to read style.com's compelling and in-depth interview with Turbeville as she recollects anecdotes from her fashion career and discusses the images above.
Thursday, June 30, 2011
THE REAL 4TH OF JULY LOOK
I am leaving tomorrow for Paris to attend the Haute Couture shows and I will blog about everything for The Huffington Post (y'all better ream them!), so my personal blogs on the Decades blog may be few and far between, but Eri and Jarred will be blogging while I am away. I will be spending the 4th of July in Paris, but if I were hosting a BBQ in Los Angeles, I would be so happy if someone arrived wearing this amazing Claire McCardell swimsuit. Actually the swimsuit is quite Parisian as the print references Fernand Leger in name and style. What you don't see under the romper are the matching print panties, so feel free to do cartwheels and really romp in this romper without shwing too much. Click on one of the pictures below to see the print up close. It's quite charming. The neckline is ultra flattering and this is a true collectible. I am always mad for McCardell...she created modern American sportswear for women in the 1940s and 50s and her designs are totally relevant today and this is totally appropriate for Monday's 4th of July whether in Paris or Peirora.
-Cameron





Claire McCardell Leger print cotton romper summer playsuit with matching panties, c. early 1950s. Modern size 4 SOLD
Sunday, June 19, 2011
PICNIC
McCardell invited American sportswear and most women really wore her clothes to shreds, but the previous owner of this McCardell (who is also the original owner) was meticulous with her clothing and this is absolutely flawless. I love the feminine neckline, the exaggerated bow, the fitted waist, and the pleated skirt with requisite pockets. It has an early Patou sportif quality and I could see one of our clients wearing this with a pair of Superga sneaks or an espadrille while on vacay in Provence.
In no time, the sun will shine and the summer's arrival is imminent so dress appropriate!
Happy Papi's Day...
-Cameron



Claire McCardell lilac picnic plaid day dress, c. 1950s. Modern 4. (I love this so much and the condition is as spectacular as the original owner - we became fast friends in her closet).SOLDFor additional information, please email blog@decadesinc.com or todd@dtwo1.com or call + 1 323 655-1960. You may also visit us in person at Decades 8214 Melrose Avenue at Harper Avenue in Los Angeles, California. Please reference the description above, if calling or emailing. For email requests, kindly include your full name and phone number plus City, State, and Country from which you are contacting, so may offer you a high level of personal service.
Tuesday, February 08, 2011
PURE GENIUS
This McCardell is in a terrific cream textured cotton that feels like gauze but is much more substantial in weight, yet has the benefits of being pre-wrinkled so travel with this and leave the steamer at home. Can we talk about these amazing sleeves? Fully fabulous and designed 30 years before Ossie Clark would capture romantic sleeves in his collections. McCardell was a fan of chemise dressing (still such an integral part of a modern women's wardrobe in the 21st century) and the pleated front bib almost reminds me of a men's tuxedo shirt. McCardell was a brilliant manipulator of fabric and truly an engineer of design as rationing of fabric during WWII necessitated very astute decisions in the design process. The smooth back frames your torso in a very flattering and slimming manner (who doesn't want to look longer and leaner?) which is only further enhanced by the belted full skirt (with pockets of course!). This is completely effortless day dressing that is as relevant and modern today as this dress was over 60 years ago when it was first presented to the public.




Claire McCardell cream gauze belted and pleated chemise dress, c. late 1940s. Flexible size 4 to 8. SOLD For additional information, please email blog@decadesinc.com or call + 1 323 655-0223. You may also visit us in person at Decades 8214 1/2 Melrose Avenue (2nd Floor) at Harper Avenue in Los Angeles, California. Please reference the description above, if calling or emailing. For email requests, kindly include your full name and phone number plus City, State, and Country from which you are contacting, so may offer you a high level of personal service.
Tuesday, July 27, 2010
MAD AT YOU

Friday, April 02, 2010
SUNDAY BEST

Tuesday, November 24, 2009
Classic McCardell
Thursday, November 13, 2008
An American Master

For additional information, please email blog@decadesinc.com or call + 1 323 655-0223. You may also visit us in person at Decades 8214 1/2 Melrose Avenue (2nd Floor) at Harper Avenue in Los Angeles, California. Please reference the description above, if calling or emailing. For email requests, kindly include your full name and phone number plus City, State, and Country from which you are contacting.




